How are time-based media (re)presented in the exhibition context? Displays serve to organize and install objects in a space, but projection, installation, and exhibition grow together beyond the individual media. Has art possibly taken on the character of a display?

Erika Balsom is Senior Lecturer in Film Studies at King’s College London. She is the author of Exhibiting Cinema in Contemporary Art (2013) and After Uniqueness: A History of Film and Video Art in Circulation (2017). Balson frequently contributes to publications such as Artforum and frieze.

Omer Fast is a visual artist working in film and video installations. His narrative work involves documentary and fictional subjects. His solo exhibition „Talking Is Not Always the Solution“ was shown in Berlin at Martin-Gropius-Bau in 2016/17. Since 2001, Fast lives and works in Berlin.

Inke Arns is director and curator of HMKV (Hartware MedienKunstVerein) in Dortmund. She has worked internationally as an independent curator and theorist specializing in media art, net cultures, and Eastern Europe since 1993.

Moderated by Marie-France Rafael. She holds a phd in art history and is currently a researcher at the Muthesius University of Fine Arts and Design, Kiel, in the area of Spatial Strategies. She also teaches regularly at the University of Fine Arts Münster. In 2017 she published the monograph Reisen ins Imaginativ. Künstlerische Displays und Situationen.