Friday, October 14th, 2016, 24:00 | midnight
#78: Christoph Girardet & Matthias Müller

Christoph Girardet and Matthias Müller have been successfully collaborating since their found footage work, Phoenix Tapes, a high-profile contribution to Notorious – Alfred Hitchcock and Contemporary Art at the Oxford Museum of Modern Art in 1999. Their works almost always use found footage and operate at the intersection of cinema and visual art. Their film and video works function as distillations of cinematic history, using the principle of found footage to pose questions about the representational level of film imagery as well as to reflect on the methods of depiction and technological conditions of cinema as a medium.

Friday, September 9th, 2016, 24:00 | midnight
#77: Eva Meyer and Eran Schaerf

Eran Schaerf, artist with an academic background in architecture, urban planning and photography, and Eva Meyer, philosopher and writer, collaborate on films since 1997. Their practice focuses on architectures of discourse in the intersection of fashion, mass media, language and the built environment and interweaves historical and contemporary political narratives.

Friday, June 24th, 2016, 24:00 | midnight
#76: Lynne Marsh

Tragedy, co-produced with the Opera North in Leeds, brings forth an altered experience of the infamous opera La Traviata, presenting it in its entirety. Mimicking the framing device of a play within a play, the piece produces a production of production.

Friday, May 20th, 2016, 24:00 | midnight
#75: Joep van Liefland

In Video Palace, his ambitious installation series, Joep van Liefland invited us since the end of the 90's into an intimite universe where one could resist or embrace the filmic appeal. For Videoart at Midnight, with his 43rd edition of Video Place, the artist puts us under a new kind of (de)pressure. Will you endure the claustrophobic fornication with the screen?

April 19th, 2016
Berlinische Galerie presents

Since 2012 the Berlinische Galerie has been acquiring the Videoart at Midnight Edition for its collection. To mark Gallery Weekend 2016, the Berlinische Galerie now presents Videoart at Midnight, using it's IBB Video Space to screen a versatile selection of those high-calibre works from the collection.

Friday, April 15th, 2016, 24:00 | midnight
#74: Dafna Maimon

Dafna Maimon’s work constitutes an exploration of small-scale communities that challenge stereotypical constructions. Mainly cinematic and performative, her work focuses on understanding and studying the unclear limits of identity, the body and human emotional landscapes.

Friday, March 18th, 2016, 24:00 | midnight
#73: Jeremy Shaw

Jeremy Shaw works in a variety of media to explore altered states and the cultural and scientific practices that aspire to map transcendental experience. Often combining and amplifying strategies from the realms of conceptual art, ethnographic film, music video, mystical and scientific research, Shaw proposes a post-documentary space in which disparate ideals, belief-systems and narration are put into crisis.

Friday, February 19th, 2016, 24:00 | midnight
#72: Shahram Entekhabi

After the Islamic revolution in 1979 the young contemporary art scene in Iran has developed beyond what was considered compatible with the new Islamic order. But right now - despite continuing limitations - the Iranian art scene is flourishing, all signs in the middle east art scene seem to point to Tehran.

January 29th, 2016
Tipps und Termine Wohin am Wochenende? Christian Falsnaes in Berlin
by Interpol

Christian Falsnaes‘ “There and Back Now” wird am Freitagabend bei der 71. Ausgabe von “Videoart at Midnight“ im Babylon Kino gezeigt. Den Film entwickelte der Künstler beim Stöbern in seinem Video-Archiv. Nur dieses eine Mal soll ein Publikum ihn zu sehen bekommen. Falsnaes’ Werke treten mit den Zuschauern in Kontakt, ...

Friday, January 29th, 2016, 24:00 | midnight
#71: Christian Falsnaes

In his performances, Christian Falsnaes tests collective obedience by giving instructions to his audience. Thereby, Falsnaes’ performances form analytical and social experiments that demonstrate how easily an initially hesitant audience can, through instructions and group dynamics, be emotionally and critically affected.

Friday, December 11th, 2015, 24:00 | midnight
#70: John Bock

As conclusion of this year’s program - an exuberant clash of film, live concert and performance!

Friday, November 27th, 2015, 24:00 | midnight
#69: Stefan Zeyen’s ABOUT CONTEMPT

As in Zeyen’s video, the narrative found itself enhanced through its containment into a closed space. Here, not only are the characters absent but so are the bright colours of the furniture : leaving only the anthropophagic white emptiness. It is the space itself that reflects the filmic emotions.

October 15th, 2015
Berliner Kunstgriff
by Leonie Huber, gallerytalk.net

An dieser Stelle bietet sich endlich die Gelegenheit auf das Projekt Videoart at Midnight hinzuweisen. Die Initiatoren Olaf Stüber und Ivo Wessel geben uns einmal im Monat die Möglichkeit im Babylon in Mitte bei freiem Eintritt (oh ja!) Videokunst in Kinosesseln zu sehen, anstatt im Vorbeigehen im Museum oder in ...

October 2nd, 2015
Hirshhorn Museum welcomes Videoart at Midnight in Washingston DC

Olaf Stüber, a leading proponent of moving-image art in Germany, is co-founder of the monthly showcase Videoart at Midnight. A cult event among Berlin art enthusiasts, it invites artists to present their work in a free and open forum that welcomes not only video but performance and conversation. After introducing this program, Stüber will be joined by Ulu Braun, an artist who has been featured in Berlin.

Friday, October 23rd, 2015, 24:00 | midnight
#68: Amie Siegel

Amie Siegel, who is back in Berlin to premiere a new work for the exhibition Wohnungsfrage at the HKW presents at Videoart at Midnight The Architects (2014), one of her very recent works, followed by The Sleepers (1999) an earlier work shot on 16 mm.

Friday, September 18th, 2015, 24:00 | midnight
#67: Shingo Yoshida

Shingo Yoshida considers the world as his studio and therefore a place of constant creation. Travelling around the globe, he finds myths, legends, people and places which are easily over looked and matches them to his creative micro world. Yoshida just comes back from Siberia to premiere his latest film.

Friday, June 26th, 2015, 24:00 | midnight
#66: Filipa César

Combining documentary and subjective viewpoints, Filipa César's films are concerned with the relationship between history, memory, image and narrative. Their freedom of tone and form is reminiscent of the form of the cinematic essay, in which the image serves as a starting point for open narratives, developed like a stream of thought. In her films the artist concentrates on points of historical crystallization, on facts situated on the margins of official history but liable to reveal its mechanisms, ideologies and hidden dimensions.

Friday, May 29th, 2015, 24:00 | midnight
#65: Erik Bünger

Erik Bünger's work revolves around the human voice and its contradictory relationship to the body, to language, music and technology. The voice is not addressed as a phenomenon, which gives rise to personal, human presence and interpersonal communication but rather as the very thing that allows something other, radically inhuman, to enter and take control of the human body.

May 9th, 2015
Der dicke Mann ist weg. Über Videokunst und den Rest der Welt
by Sven Grünwitzky und Clemens Wilhelm, qjubes - Magazin für Kunst

Ein weitführendes Gespräch über Videokunst und den Rest der Welt: … Kaum eine Ausstellung zur zeitgenössischen Kunst kommt ohne einen Beitrag aus dem Bereich der Videokunst aus, die Düsseldorfer Sammlerin Julia Stoschek baut eine Videokunstsammlung auf, es gibt internationale Videofestivals oder hier in Berlin mit Videoart at midnight eine außergewöhnliche ...

Friday, April 24th, 2015, 24:00 | midnight
#64: Dani Gal

The core interest of Dani Gal's work is memory, recollection, recording and the methodology of writing history. He takes historical events as his point of departure, examining their forms of representation within the ‘official’ version of history.

Newer entries
Older entries
an artists' cinema project